only unreleased new tracks from dj deeon and slugo....though he s revered among chicago djs and around the world as the original master of ghetto dance music, deeon started small, on chicagos south side. he sold his dj mixtapes in the parking lot where he lived, and played house parties in the projects. these crowded living room parties started the feeling and inspiration for the sound deeon produced, music he simply refers to as, >for the strippers, for the street<. while tracks like >accelerate< on dance mania were doing well overseas, he was getting little support or play from local chicago clubs. deeon calls ghetto house the >stepchild of chicago house<. eventually the incredible response from his music forced the clubs to concede and play his records. these >techno with a ghetto edge< tracks have found way to the decks in clubs around the world. deeon found his home on chicagos own dance mania label, where he released hits like >let me bang<, >who you wit<, >da dick suck< and >the freaks<. deeon is currently signed to databass records, which is rereleasing most of his back catalog with new remixes!

this is the return of the demon hardtechno label slaughter. the sublabel was set up as a sister/sub label of braindamage and presented itself with the very first release as a new outing of colassal hard-techno that will mash up your brain and leave you shaking with uncontrollable fear. it is time for a good old fashioned, messy massacre... these boys come blazin´ !!

special limited edition 10 inch record from label heads the sound republic, on an ultra high quality pressing with full jackets and 2 super hot joints, making this a record for the collectors as well as the disc jockeys who have come to rely on tsr for slammin dancefloor material. a return to their roots in funk and jazz, the a side get loose (take a breath) hits with absolutely crushing beats, a running bassline, and a sax bit that has every partygoer running to the dj booth whenever the track gets played asking what in the good god they are hearing! flip the cute little guy over for funkyard junk, a tune that starts with a garbage can percussion jam that eventually works up in to some good old down home southern funk, complete with hand clappin, foot stompin hoots and hollers and yet another infectious guitar hook that can only be described as good times house music. these two funky cuts still have a fresh and modern sound while maintaining that good ole chicago vibe that sends the dancefloors in to a tizzy. receiving massive support from the heavy hitters of the underground, raoul belmans, dj mes, diz, justin long, dj heather, and bryan jones amongst others were caning the hell out of this at this years wmc. dont sleep on this extremely special limited edition pressing of the fifth spatulacity record, yet another quality minded release from some one of the most consistent names in house musics new school

panorama bar smasher !!! played by steve bug, sven väth, locodice & many others... re:connected is a new sub label from out of orbit rec, we have set up this label as a playground for our more minimalistic and techno oriented productions and also to be able to explore are deep interest in this musical genre more. the label will feature some new exciting underground and hard-to-get tracks from martinez triple-o lab in copenhagen as well as some new forward thinking producers on the more darker and freakier tip electronic dance music. re:connected 001 kicks off the label in fine fashion with two refeshing techno cuts from the label boss himself, martinez. these tracks were produced in the dark winter days of december last year, both tunes make a perfect statement of what the labels sound is all about

reissue of these old school nu wave hiphop classics from the late 70s/early 80s - limited indees ! tracklisting: i need a freak (not only used by the black eyed peas)

the new half cousin single big chief comes with an exclusive remix by the earlies. this is the lead single form the album and sums up in four minutes what the band is all about. the single also comes with the first ever remix the earlies have put their official name to, and a electronic upbeat offering from the fantastic dextro. half cousin also deliver these songs to captivating effect live with acclaimed artists martin slattery and anthony genn (the hours), jamie morrison (the noisettes), jimmy hogarth, the earlies and fellow scot kt tunstall all lending a hand on stage in developing this fierce reputation

>where were you..< is taken from their cd >astral weekends< forthcoming on bear entertainment. so turn your dream machine on, get off your psychic asses and start walking on the laser s edge�. all aboard the space train captained by tin pac-men from toy planets.1972-1977-1978-1979-1980/// berlin-munich-london-paris-new york�they ve seen the best minds of those generations crisped and motherfunked by the active oxidants of brainium zythernitrate. the diaphanoids (visible division) are: andrea bellentani and simon maccari. no aliens nor humans have been harmed during these recordings. remixes for their debut single come from the exciting talent of toby tobias (rekids, bear funk gold, hi-phen�) in 2 forms: his epic proton mix coming in at over 10 minutes long and the superb lazer-disco dub mix. this boy�s on fire! massive and excited reactions already from padded cell s richard sen, idjut boys, tim sweeney (dfa, beats in space), lindstrom, prins thomas, toby tobias, stevie kotey, arturo capone, simon lee (faze action), chicken lips and fabrizio mammarella� they re silver, how about you?

after several side-projects as sid lerock and gringo grinder, pan/tone is now back with >dr. pyckle and mr. pryde<. >the tear jerker< is one of these elegiac anthems, building up more and more in a way you never want it to end. the flip resurrects the momories of the good old school of cologne - back then, when minimal was still pristine, and the groove as the fundamental element was still wirth something. as a bonus there s a remix by kimberly & clark, accentuating the track with some bleepy bliss, and loads of 808

in the early 20th century large parts of southeast japan were terrorised by mysterious gangs of highwaymen. these robbers called themselves the nagasaki nightriders and were the subject of many legends. at sunset rich industrials and landowners locked their doors and waited in fear. with an amazing speed the nightriders attacked and ransacked their targets. their incredible pace made people suspect they were in league with the devil. named after a medieval legend, the nightriders were supposed to fly through the sky on glowing he-goats

after the succesfull introduction of the oldskool sounds by rootz masters basoski & romano, its time to let the real new generation be heard. on this second ep from this ongoing concept, olav basoski introduces remaniax and disfunktion. these 2 new talented duos bring you the oldskool filter flava we all love so much. the third track and finishing touch is by master basoski himself, and has the mysterious title george

the sebo k and metro partnership makes its debut on get physical with >transit<: these upcoming house producers are so hot that this ep almost melts the vinyl that its pressed on! transit looks to the past and the future at the same time: inspired by old school chicago house but boasting a modern techno approach to arranging, the nagging bass riff at the heart of >transit< builds and builds along with sebo and metro s evocative chords to create a track that will raise the roof on any club during the peak time. >transit< never loses its raw, hypnotic groove either, and after it reaches a climax, the sparse, raw rhythm is still there, urging the dancers to keep moving. philly producer king britt dons his scuba hat to provide the remix: its more understated than the original version, based on an off-beat groove, but, like a thief slipping through an open door in the middle of the night, britts reshape gradually introduces the hypnotic chords. before you know it, his remix will have seduced any crowd who love deep, electronic house music. get a move on to pick up on this future house classic!

red 7 and get down are two of the bigger dancefloor tracks to be taken from the dat music compilation and the artists themselves have chosen two of their favourite techno producers to remix these specific tracks. the aim of dat music is to help bridge the gap between drum and bass and techno. all the artists involved in the dat music project have an undying affection for techno music past and present and strive to push the boundaries of drum in bass in all directions. with remixes of john tejada and nomadico for underground resistance his is the first of many non drum and bass releases on revolve:r

this dutch based production team comes to king st. with a solid lovely soulful yet energetic ep. the thick rhythms & twangy guitar of believe is followed by the handsome & deeply basslined cover story, a nice flowing light jazzy piano keyed & guitar riffed instrumental. switch is up next delivering more cool house lounge effect with some sexy sax thrown in for great measure. rounding out this debut ep is never let go, a moody, almost cinematic, deep lounge & house rhythmed production that will cross many genres of club. these all strike a nice balance between the club & lounge bringing a nice even flow to the dancefloor

as a sublabel of the respected rilis, loose is on the roll with a series of impressive, futuristic pressings. following the black and red ep comes a new gem named yellow. here rino cerrone teams up with some of his friends maurizio viteillo and umberto carmignani. these men slam down a solid stripped down techno ep with stunning quality and superb craftmenship

kickflip returns to fat with these 2 oldschool flavoured dancefloor bombs this record recieved major support from the worlds breaks scene over the last weeks get your own copy quick

tony senghore is back in action with a brand new release for his imprint horehaus. with two heavy hitters, double negative and ghetto fabulous. tony drives you hard into his twisted sense of the underground. double nagative is an 80s collage new wave synth workout complete with big breakdowns and a slightly deranged arrangement. ghetto fabulous is more of a digital punk tracker set into a confused turmoil of jumbled beats. tonys back with these original projects and its been a while as the last few years he has only been on the remix scene. dont miss

volume 33 presents a must have for the die hard techno. it features one of germanies hottest techno team, chris hope and andre walter (stigmata). michael ford and maz are new names, these men drop a pounding kicker which is treated and reworked by a special collab, consisting of kobbe (intec, fcom) and balthazar (techhead, magura)

the long awaited sweet n candy album !!

next battle on the dialect sub-label. greg oreck & holmar filipsson aka thugfucker greg oreck & holmar filipsson aka thugfucker vs gwen maze. be ready for the fight! expect the deep / balearic / minimal / ravy / hypnotic / funky / addictive music. yes, all these adjectives apply to this great slice of modern clubbing material !

jay moved through the ranks at juno and with 5 years record shop work experience under his belt jay now has a broad influence base for his current productions. these mainly focus on classic, itaol and nu disco, us, deep, and acid house right through vintage techno and the modern minimal sounds. his recent productions like this fine four track ep combine many of these influences but always lean toward the warm, retro, vintage electronic sounds that first time around he was too young to experience

there s no need to introduce these two as we all know what happens when they get down together on this label. massive massive quirky electro here with >the truth< proving just how cutting edge these two are.

a side feat a soulful deep grooving piece of house music for these cool summer beach and terrace moments flip over for the afro beats and take it deep

it took a good one and a half years to see these two gentlemen reunite again. pro s may know why. you can only create so much quality work that it s good to take some time off now and then to get back on it with refreshed senses, new gear and new ideas. this 3 tracker is the start of a string of new 12s and simply >multiplies< everything good in john and arian s music. the motion, the funk, the accurate timing, the control, the tension, the groove, the deepness, the classic techno-ness, and the oh my goodness< kick assivity! :) check out the ultra intense, sturdy >multiplier,< a hard rocking deep dark tune layered with modular synth madness. flip to the b for >mathemagician,< the >mono on mono< update youve been waiting for. closing out the single, another analog scorcher >synthescheizer< does it s damage with 2 ms-20s side by side. no plug ins on this release, just good old dirty hardware... already support from anja schneider , karotte... and of course myself too...

the brights lights of the city of angels, vibezelect bring jt donaldsons gallery music group their first release for 2007. with past releases on amenti and dufflebag, vibezelects cory wells and jah ques continue to dominate with these two new joints. feel the world is a bleepy excursion into melodic optimish while i believe is a deep, bass driven vocal with a dub attached.

llorca is the remix man of the moment.these remixes are superb examples of deep electronic house music with soul

toka project back on the scene with a nice 3 tracker in their very own unique style 3 funked up tracks with a deep and sometimes jazzy edge a must have record

played by magda !! (m_nus) next big matt star dancefloor weapon !!the almost unbelievable success of matt stars debut release >the art of m< (weave music no.16) showed everybody whos involved in the electronic music business how hot this young gun from offenbach / germany is. the feedback he received from top players like loco dice, luciano, magda or dominik eulberg was completely overwhelming. with >anin< (if-2) mr.star proofs that he definitively is not just one of these one-hit-wonders! we expects a similar buzz to be going around the globe caused by matts new phat pumpin click-tech-tracks

rush hour limited presents san proper s a dam family series. this is a series where he teams up with well known and lesser known producers from amsterdam. on the third part he collaborates with the schepper with his ferrari (aka overlast, dopeness galore). these two amsterdam youngsters continue where this series started, deep and grooving

incl. sleeparchive rmx, played by 2000 and one (cocoon), martinez (out of orbit), agaric (we are), butane (alphahouse), tadeo (ciclycal tracks), iñaqui marín (regular), leandro gamez (intec), angel molina (sonar music) soulrack & sleeparchive two great producers which cray1 labworks comes again and succeed with these first beats of 2007. this wisd move is called >modul age<. soulrack, signs, >modul age<, that is one of its best singles till today. nervous and funny minimal techno, with a clear funky touch, it is a good sample of the sensational state in which there is the label manager of cray1 labworks.

two frenchies named jean-pat (19) & pacey (21) are cousins and decided to make their own music after they ve seen para one live. they got all their money together to buy equipment for producing and they ve created this all-out pumpin music. on their first e.p. you ll find 4 screamers you can t go wrong with. each of these work really good in small & big clubs as i play all of them in my set. enjoy!

wink is back at it again with the long awaited follow up to >516 acid<. this is the first time these tracks will be released on vinyl. >swirl< was featured on josh wink s acclaimed mix compilation profound sounds volume 3, but this is the first time a full version of the track will be released. in wink s signature style of creating tension, he full delivers on swirl. the track slowly builds and takes off when wink adds in his signature 303 bass line. like one of wink s dj sets it goes through many peaks and valleys, but it is the tension that is created that will drive the floor nuts. the b side is >have to get back<, which had been released on minus records min to mac comp, but only in an instrumental form. this is the very rare vocal version of that track. again wink provides the tension in this dark affair. the addition of the eerie vocal will remind people why he is the master of the bugged out production

second release on thema is by a trio from rosario, argentina called, fran matjor. we are honored to introduce this new group which consists of jorge savoretti esperanza, telegraph, franco cinelli milnormodern, alphahouse and matias oviedo. together they blend a sound all their own, full of groove, subliminal atmosphere and a low end that will end up shattering champagne glass on dancefloors around the world, which makes the title all the more meaningful >vidrios rotos<. there must be something in the water because of the incredible sound that is being produced in argentina these days. these guys are no strangers to the sound they like to call >tesh<. they are a part of a new breed of young and talented groove setters, with a keen sense of rhythm, atmosphere and glitch on and off the dancefloor. in other words they know how to get into your mind and and shake that soul!

apendics.shuffle - one of the most occupied u.s. producers for minimal techno these days comes up with his 2nd release on mos ferry prod. >the sammy baker davis junior e.p.< is filled with 3 tracks on a 12<, all of them more or less straight but none of them is missing the shuffle factor. b1 has a very nice and a little bit freaky bassline...

volume 8 again comes with two mind-blowing, stripped down techno productions. these babies will take your for a long and pleasant ride. along the way you are fed with vibration bass, velvet bassdrum and carefully selected high

enjoy these 4 tracker of jori at his best. great dancefloor electronics from finland.

rmxs by kiki & nass, support comes from silversurfer, kiki, geiger, audiojack� stereo & flatner two bavarian phitness phreaks, are working out, making their typical flat stereo sound. from munich to your minds over muscle: the newest sporty outing of these two studio athletes that don t seem to know boundaries or limits when it gets down to making a track work. sweaty, breathless and stripped to the basics � their newest release comes as raw as a foot peeled out of a sneaker after a long, long weekend

this is the second single to be released from debut album night vision. as always the vibes are deep, spacey & electronic & these two tracks do not disappoint. harmonize us a purely dubbed out experience. night vision has a full on vocal!

played by dinky, karotte, trevor jackson!! these new tracks venture to the deeper, often evocative ends of techno and house. the title track fuses an percussive old school house groove with deep techno chords. so when the organ line kicks in, it gives you this very orginal emotion of timeless house. in keeping with einzelkind s unpredictable tendencies � he used to make drum n bass before he switched onto house and techno � you still can hear something of his former musical alter ego in the second track, >bonnieland<.based on a low-slung, growling bassline, the track gradually evolves to reveal a trippy sequence and lush chords, which sounds like the fusion of a detroity atmossphere with the dynamic of a drum n bass-track. a strong release, that consolidates the unique fingerprint of the two einzelkind-boys from frankfurt

theodore girthkins,bosco jackson and terell robinson join forces for the most funked up jacked out release to date on this label. starting off is the spudda dudda doo making use of the original sample that gave birth to the 90s anthem gimme some horns with a few additional parts. brilliantly constructed and absolutely essential. flip for corruption, another rare gem being cut and polished as only these three gypsies know how

igors defchild debut is quite mesmerizing. with tracks on handheld and forcetracks igor draws upon his detroit, chicago and berlin influences to produce three bewitching tracks.these largely instrumental pieces combine the production aesthetics of house and techno with exquisite and subtle compositional flairs from dub and blues/soul fusions. northern european production team of aleksander chernishov and maksim vasilevsky refashion somewhere with jazz influenced musicality and poise

incl. guy gerber & david k rmx, following the huge >beautiful noise< on rekids, spencer makes his tsuba debut with the gritty rain of bleeps that is >neon<. as with every tsuba release, on the flip there s an exciting remix on offer. this time guy gerber & david k combine to deliver a deep spacey interpretation with a jacking bass heavy groove. guy describes this as >my favourite ever remix<. with over 10.000 plays so far on myspace >neon< is a big release for tsuba, as these djs all agree: laurent garnier, funk d void, john digweed, tiefschwarz, james zabiela

fumalab is here, a new special venture, a real laboratory for all things more musical, slightly different and off the beaten paths, a playground for all expecting more from their music but plain 1 minute usability. starting with three autotune tracks that are >classic< in the true sense of the word. check alone side a >influensa< a chuggling superdubby almost detroit deep house like bummer of the highest calibre. influensa flows non stop, full of warmth, high sound presence and with an unmistakable feel for groove, rhythm and structure.wicked, eruptive, intense and here to stay. we easily grant you a patent for these recipes mr. laboratory engineer! more please

heres more of that exciting, dubby and trancy stuff alex krueger aka dub taylor. >schmidts cat< contains three parts which are based on the same idea in bassline and/or chordline. his mostly (digital/analog) hybridworking makes these tracks having a special warm sound

this record is sure to be big -detroit influenced techno with a late night , but club stomping appeal ! sure to blow any dancefloor , these intense vocals give you shivers up your spine - we are not of your world . this record is recieving huge support by the likes of djs such as ricardo villalobos , craig richards , dj hell , zip amongst many others. get it before it is gone. produced by samim & jay haze

guns n bombs is made up of filip nikolic aka turbotito, a profilic musician (whose music projects include ima robot, ludo x, and junior senior) and johnny love (one of chicagos most notorious party promoters and djs). during one party, they bonded over mutual love of early rave, minimal techno, chicago jack, acid tracks, and the cybernetic broadcasting system. nothing is getting us anywhere is a vocal track mixing all these influences leading to an apocalyptical path through rhythm. crossover appeal is instrumental but strong as : let the rhythm hit them ! robot music for daft punks. dirty sounds from l.a. via chicago = mosh on the dancefloor !

phreaky minimal bassy monster! growing up in a small town in southern germany, joachim landesvatter s main musical influences came via his older brothers in the form of bands like zz top, lynyrd skynyrd and uriah heep. these narrow boundaries could not contain his ever-evolving tastes, however. he soon found himself enthralled by german acts bap, die rodgau monotones and the scorpions, to name a few. the real turning point came in 1991 when he discovered the techno music being played by local djs in the small, rural clubs in and around his hometown. using techno as a springboard, he jumped ever-deeper into the quickly evolving experimental electronic scene and all of its various permutations

now consisting only of jay haze, the fuckpony project ventures into the deepest, darkest recesses of house music s underground to deliver two rough and raw club tracks on the first of two 10-inch releases. >hot slave< comes straight from the warehouse, its rough beats and heavy claps laying the basis for an acid line that tweaks and morphs itself into a wild, spinetingling climax. >tiny slave< is just as primal: a rumbling, menacing bass and tight percussion provide the backing for a scary riff that keeps building and building i nto a grungy, dark climax. these are proper jacking tracks from one of electronic music s new players and the moment that the needle drops on the first installment of dark side, you ll be a slave to fuckpony s rhythms!

after the massive earresistible hit with dj umek s release >posing as me< comes the next earresistible release with the worldwide reneued producers and djs marko nastic and billy nasty. the collaboration between these two floor movers is expected to shake the dancefloors

the original battle 12 was released almost exactly a year ago, but its taken 12 months for them to release henry smithsons astonishing take on the other half of that release. thankfully it was worth the wait. monster wasnt your typical lindstrom production in the first place, but now riton has thoroughly rewired it as a dynamic electronic house circuit, referencing the norwegian disco style with slight choral parts, tight string stings and keyboard arpeggios. the whole effect is very much greater than the sum of these parts, executed as it is with a rigorous attitude